Night shift movie movoe1/20/2024 Instead, he throws us the full CGI and a kitchen sink ending that completely undermines the simplicity of the story and goes to where many horror films have gone before. Keeping the mystery and extending the question of the source of horror might have delivered a more satisfying experience. This is an example of a film that would have benefited much from restraint. ‘Nightshift’ just doesn’t live up to the director’s older and stronger work. I like how Yam Laranas takes a stab on musings pertaining to life and death, reincarnation. Two scenes reminded me of John Carpenter's PRINCE OF DARKNESS where a person was standing outside the morgue. I’m a fan of Yam Laranas’ ‘Radyo’ and ‘Sigaw.’ I had a lot of reservations over the ending of ‘Aurora’ but I thought its first half was great. Kinda effective jumpscare which prompted me to stop watching at night and continue the next day. Because of the isolated and insular setting, the film ends up feeling small and almost better suited for streaming, if not television. And then, it would fade out to show the passage of time. The editing is strange because as the music swells to create dread, the shot doesn’t change so we have no idea what the score is trying to highlight. Is the morgue really haunted or is she just exhausted? From the way the filmmaking is executed, we know Laranas is pushing for the former and that ruins the surprise. Everything else is amplified by the other cast from Michael de Mesa to the orderlies who wheel in the bodies played by Soliman Cruz and Epi Quizon to Ruby Ruiz, who plays the receptionist who worries about Jessie, alone in the morgue.īut Laranas insists on amping up the horror, overdoing the scenes when the bodies predictably get up to frighten her and a CGI spirit that chases after her in other scenes that end up as a fake out. Yam Concepcion is wonderfully committed and she has a screen presence that holds your attention. When it balances on the thin line between supernatural horror and psychological horror. Because this is a film that’s also about grief but it also makes pointed statements on the effect of overtime on employees especially new ones in rather stressful situations.īecause, as the typhoon gets worse, Jessie stays longer than 20 hours and she has to keep the morgue running as more and more bodies are brought in and she begins to experience more and more strangeness. Alex also reminds her that the body expels gas, which explains the weird sounds.īut as the storm gets louder, and we get to know Jessie more - her past and her relationships - we realise that the strange things the film is trying to allude to might be more than just your run-of-the-mill horror story. Corpses, especially fresh ones, suffer from spasms rigor mortis or “cadaver spasms” as Jessie recalls from her class. Strange sounds emanating from the bodies and random movements - but this is all science. The wasted potential of the film is that as the film unfolds, there are frightening things that are happening. Make no mistake, trying to make a living these days just might kill him.A post shared by VIVA Films on at 12:00am PST When the LA vampire hunter is told that has a week to come up with the cash to pay for his kid's tuition and braces, Foxx must work overtime to make the funds he so desperately needs. The movie follows the story of Chuck Lumley and Bill Blazejowski, two morgue workers who turn their workplace into a brothel during the night shift. While he works a mundane San Fernando Valley pool cleaning job, this is merely a front for his real source of income, hunting and killing vampires as part of an international Union of vampire hunters. He gets shunted back to the night shift, where his pleasant routine (feed the plants, tidy the paperwork, listen to classical music, no excitement allowed) is shattered when he. 8 pages of info, trailer, pictures and more. Landing on Netflix last year, Day Shift is led by Jamie Foxx as a hard-working blue-collar dad who just wants to provide a good life for his quick-witted daughter. Night Shift -The 1982 Comedy movie featuring Michael Keaton and Henry Winkler at the award winning 80s Movies Rewind. Finch teamed up with Day Shift co-writer Shay Hatten for the fourth John Wick outing, and with John Wick: Chapter 4 director Chad Stahelski expected to return as a producer on Night Shift, Perry is clearly hoping to pack the sequel with as many John Wick alums as possible. The martial artist and stunt man-turned-filmmaker is clearly hopeful that Night Shift will get the green light, and plans to bring the writer behind the recent action epic John Wick: Chapter 4, Michael Finch, into the fray.
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